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This may have been what happened with Git by Song Il-gon, the director of Flower Island (2001), Spider Forest (2004), and various award-winning short films including The Picnic (1999).Git was originally commissioned as a 30-minute segment of the digital omnibus film 1.3.6.Now, years after breaking up, he returns to the small island named Biyang-do, wondering if his ex-girlfriend will remember their appointment.(It seems appropriate that Git's basic setup recalls Richard Linklater's Before Sunset, another film that stands out for the beauty and simplicity of its construction) On Biyang-do, the director -- named Jang Hyun-seong, the same as the actor who portrays him -- is overpowered with both memories of the past and the beauty of the island.

Most questions had to do with how Jo Seung-woo was able to convincingly take on the role of an autistic young man.In a year that has been lacking in unexpected discoveries, Git is an exciting find.At its rousing premiere at the Green Film Festival in Seoul, a prominent Korean film critic told me it may be the best romance Korea has ever produced.One is that such a low-budget film looks so good visually.In Flower Island, Song showed an unusual talent for the aesthetics of digital cinema, but here he takes it one step further.Almost missed among all that was a quiet film directed by a virtual unknown but starring the talented Jo Seung-woo.The media found it interesting as 'a story of human triumph' but most people seemed certain that Kang Woo-suk's feature would dominate the box office.In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery.Git (which means either a triangular flag or "feather" in Korean) is surprising in several respects.As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.But if Song betrayed the spirit of the omnibus project, he remained true to the needs of his film.

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