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She points to how British Chinese do well academically and professionally.Furthermore, stereotypes around timidness, not being outspoken or politically active also mean people can make such comments with no backlash, she says.I’ve been left puzzled by the insensitivity, and the lack of awareness that such comments may cause offence.

One acquaintance told me in wonderment that Chinese women are great in the bedroom – as if I wasn't one – to being casually asked if I’d be interested in a guy “who has been with Chinese girls and likes it”.Interestingly, however, many East Asian women aren’t bothered; some even play up to the stereotypes or entertain such fetishes, according to Dr. Indeed, websites like My New Chinese Wife – set up by Chinese women in Hong Kong, the UK and US, promote what it sees as traditional qualities of “Sweet Chinese Brides”, and assist westerners in finding their own.Professor Miri Song, who specialises in ethnic identity at the University of Kent, suggests that the parodying of Chinese people is seen as more “socially acceptable” in part because East Asians are not seen as truly disadvantaged, or merit the same protection status as other ethnic minorities.Part of the bias is down to aesthetics, it would appear, as a study by Cardiff University in 2012 on facial attractiveness showed that East Asian women scored highest, while East Asian men came bottom of the pile (interestingly, results for black and white individuals did not show discernible differences based on gender).But while some gendered biases exist in all interracial dating, few have gained as much notoriety as so-called yellow fever.In the BBC’s official response to BEA’s letter, it stated its commitments to diversity (in a rather patronising, verbose manner). But Asian women are understandably in a rush to change the status quo.A quick browse on the Internet for “yellow fever fetishes” brings up a host of websites, articles and videos, mostly from the US, that express humour, distaste and offence at the sexualised objectification of East Asian women, with some equating yellow fever to racism rooted in colonial ideas of power and submission.“And let’s not forget Hollywood’s global influence”, says Dr Sandy To, who specialises in gender studies at Hong Kong University.She notes the sexy Geishas, femme fatales and Kung Fu fighting seductresses in place of what she calls “ethnically neutral roles”.Certainly, the idea of the “passive” Chinese is a well-known, but an increasingly misguided view – particularly given the meteoric rise of China and its achievements in women’s education.Aowen Jin, a 36-year-old British Chinese artist, thinks that cultural differences, such as the inability “to say no”, are often misconstrued by westerners as agreeableness, or even misinterpreted by western men as a sign of romantic interest.

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